Photographic Materials Illustrated, John Wanamaker, Philadelphia,
PA, c.1890, p.7
5 x 8;
Serial No. 680; this example is as Eastman made it, including the Eastman ground glass
frame that hinges down, and the tongue and groove-type of connection
between the back of the camera and the plate holder.
Plate holder mostly
inserted into the back of the camera.
Plate holder completely
inserted and dark slide out - ready for exposure.
Plate holder with switch to
the left (arrow) for loading of plate.
Plate holder with switch to
the right (black arrow) which has extended the prong (white arrow) that
retains the plate.
Label on front standard:
"Made by The Eastman Dry Plate & Film Co., Rochester, NY".
Note that the screw slots on the lens board retaining strip are aligned,
like other top class cameras of other makers.
Stamp, serial number 680 on
the back end of the platform.
Nifty one-piece
spring-loaded catch for the ground glass frame. The ground glass
frame has an inlet wear plate at the point of contact.
A board was included in the outfit to reverse the
camera to vertical format. The two prongs visible on the board
(upper photo) insert into holes in the front standard (lower photo). Lower photo: reversing board, installed. Drop Shutter that came with the camera. Back of shutter.
5 x 7;
Serial No. 567;
the back has been neatly (professionally?) altered to take a different
plate holder. Date Introduced: - ;
Years Manufactured: 1887-c.1890 Eastman's Early Field View Cameras
c.1887-c.1891: In 2006, I had purchased a back focus,
straight bellows view camera having an Eastman label. It came with
a letter to the seller from Todd Gustavson, Technology Section, George
Eastman House written to the former owner of the camera. In it Mr.
Gustavson mentioned view cameras that had been produced in the early
days of Eastman's companies. One was the
Interchangeable View
- I was already aware of, and already had at least one example,
But there were two others of which I had never heard: 1) the
Genesee View,
known from short mention (no engravings) in 1887-1889 catalogs that I
had not as yet seen (offered in 5x7 and 5x8 in 1887 and 1888, to which 6½x8½
was added in 1889), and 2) the
Eureka View, only known from
a copy of early production records typed in 1921 (which showed that it
had been made in many sizes up to 18x22). It was apparent that my camera purchase that started
this information hunt was the
Genesee View - a straight bellows camera in 18x22 size
would be way too heavy to deal with in the field. I eventually purchased a
second such camera in its original canvas case. These are shown on
the
Genesee View web page.
This left
a problem: what is a
Eureka View, and why is it
not advertised along with the
Genesee View
or Interchangeable View? I kept
looking for a distinctly different camera than the
Interchageable View, but did
not find any - only more
Interchangeable Views, which
I continued to buy because of their Swiss-watch-like construction and
beautiful finish work. I had
found that there were two variations of Eastman's
Interchangeable View, one much rarer than the other (see
table below). The difference between the
variations is in the way the hinged back is released and in the way a
plate holder is attached to the camera during use. The two variations
would seem to have been considered by Eastman to both
Interchangeable Views at the time, since catalog entries contain engravings
of both variations in the same description (e.g., Gatchel, 1888, pp.
30-32). It would have been important for users to describe which
variation they had, since plate holders that fit one would not fit the
other. Despite never being advertised, it is surprising that,
according to production records, there were 1372
Eureka Views
made vs. only 404
Interchangeable Views
(George Eastman's Cameras, Grant Haist, p.13).
So where are the
Eureka Views
and what do they look like?. Grant Haist, in his book The George
Eastman Cameras, 2009, points out that the Interchangeable View could
have two different backs (just as I had discovered on the cameras I
examined), and that one of them was termed The Patented Eureka
Ground Glass Adjustor, and suggests that the Eureka View is an
Interchangeable View
that has the Eureka back. I agree. Apparently,
Eastman wanted to keep numbers of sales of both kinds of back, so
referred in internal memos to Eureka cameras, but publically
advertised both as
Interchangeable Views,
regardless of choice of back. All of these Eastman view
cameras were designed and their production supervised by Frank Brownell,
a former cabinet maker, whose artistry really shows in the appearance
and operation of the cameras. The three early Eastman view cameras are:
Genesee View: This
camera is a rear focus camera having a solid front and straight bellows,
similar in design to the popular and common
Scovill
Waterbury View, or
Anthony N.P.A. View of the
time. It has a number of unique and very interesting features that
distinguish it from its cheaper competition. 1) On top of the rear
standard, there is a spring-loaded clip for securing the downward-hinged
ground glass frame. 2) From afar, it has the ubiquitous slot down
the middle of the platform that is used for push-pull focus, but no- the
slot has concealed within it a toothed brass track for rack and pinion
focus, controlled by a large knurled knob on the right. 3) The
mechanism for front rise is also hidden, in this case, completely hidden
except for the knob to lock it. 4) It plate holders have a groove
or slot on their long edges, which slide into a corresponding recess in
the camera back. This is similar to many cameras made in England,
but rare in the United States. 5) The provision for changing to
vertical format is also unique, utilizing a wooden panel that has two
brass posts that fit into holes in the side of the front standard, and a
hole with which to lock it. The wood extends the length of the
camera for stability, and the rear standard merely slides as it is
focused. Interchangeable
View General Design:
Both variations of the Interchangeable View are the same except for
their backs. The design is a front focus camera having a tapered
bellows. The rear standard has double swing capability.
Forward and back swing is via a central pivot that has a support that is
a straight, tapering, stave-like piect of brass on each side, almost
identical to those used in the
Blair Camera Co. Reversible Back
Improved Variation 3
and
Variation 4.,
which are thought to have been made in the 1890's and so could have been
based on the Eastman design. The front standard is supported by
full length brass channels having a c-shaped cross-section. They
are braced on their lower end by a block of mahogany, and on their upper
end by the larger piece of mahogany in which the lens board is
installed. The front standard has two types of rise; one in which
the entire upper wood section of the front standard slides up or down
within slots visible in the brass uprights of the standard, and a second
rise that is locked by a knurled knob, which is in the conventional
location of the upper right (as standing behind the camera) corner of
the front standard. The mechanism for this rise is undoubtedly the
same as for the
Genesee View, which is also
hidden. The focus is via rack and pinion, controlled by a large
knurled knob on the lower right of the front standard. The tracks
fore the rack and pinion are neatly inlet into the side rails of the
platform. There is a short, removable, extension track for long
focus lenses for the platform. As mentioned above, the two
variations of the
Interchangeable View
were offered for sale at the same time, and the difference between the
two variations is solely in the back. In either variation, the
back is removable, being held by two spring clips at the top, so Eastman
could make the fronts all the same, then clip on the appropriate back to
order (as long as the back dimensions were standardized with sufficient
precision). The wood used was high quality, and finely finished
using the French polish method, in which much hand work with a
rag charged with shellac leaves a thin but high gloss finish, at the
same time filling the open grain of mahogany. The highest grades
of other manufacturers wer also finished by the French polish method.
The brass hardware is also finely finished using the draw file
method, in which a file is used to produce a uniform scratches in one
direction, then lacquered.
Interchangeable View Variation 1:
This variation has a
large thumbscrew in the top middle of its back attached to two
horizontal rods. When
the thumbscrew is turned counter-clockwise, it pushes the rods outwards,
which pushes open
spring-loaded latches at the sides of rear standard, releasing the
ground glass frame to hinge downwards. This variation uses book-type plate holders
having that install by matching holes in the lower edge of the plate
holder to brass fittings at the bottom of the removable back, then
snapping pins on the upper end of the plate holder into the spring-loaded latches
at the upper part of the removable back (see Variation 1 photos).
Interchangeable View Variation 2 (Eureka View): This variation has no
thumbscrew on its back as in Variation 1, but
instead has L-shaped slotted hardware at the top of the rear standard that
swivel to allow the ground glass frame to come out about ¾". From this
position, two small spring-loaded latches located along the sides of the
ground glass frame may bee pressed to release the hinged frame.
Variation 2 cameras have a different style of plate holders than
Variation 1.
Variation 2 cameras have, on the
back of the rear standard, top and bottom projections that fit
corresponding grooves in Variation 2
plate holders that secures them like a tongue & groove joint.
Variation 2 plate holders are loaded or unloaded from
the front by moving a sliding switch to retract or
extend a catch that secures the plates. This type of plate holder
is also required for the
Genesee View.
Variation 1
appears in earlier catalogs than
Variation
2
(the reason why 1 is called 1 and 2 is called 2). The only
question remaining about this chronology is that the example of
Variation 1
has serial number 981, whereas examples of
Variation 2
sometimes have lower serial numbers. As stated in the catalogs,
either back could be installed, so that examples of Variation 1 and
Variation 2 can be expected to have intermixed serial numbers.
Patent Drawings for the Eureka Back. Interchangeable View Camera
Variation and Identification Details by Serial Number:
Conclusions from table: Variation:
There is only one example of the
Interchangeable View Variation 1, and it is in the middle
(No. 981) of the range of serial numbers. This is not surprising,
since the catalogs advertised that the
Interchangeable View could be had either with or without the
Eureka Ground Glass Adjuster,
which feature is the only difference between
Variation 1 and Variation
2 (The Eureka Camera). Manufacturer:
Most cameras were made by the Eastman Dry Plate & Film Co. (Eastman
D.P.&F.), which makes sense. During the ~7 year production run, ~4
years were under that company, while ~3 years were under The Eastman Co.
However, the earliest Eastman Co. is No. 700, while Eastman D.P.&F.
labels are found even on the highest serial number of No. 1664.
This is mystery if the serial numbers represent a
chronological series. Label Material:
The presumably later Eastman Co. labels are
all celluloid while the presumably earlier Eastman D.P.&F. labels are
all brass. This does make sense. A consistent trend in
camera manufacturing over time is that as a model changes over time,
less expensive materials, like molded celluloid, are subsituted for more
expensive materials, like engraved brass. For this camera, which
is extremely well made and finished, the savings would have been
infinitesimal, but it was done none the less. Label Location:
Only one size of camera,
4¼x5½", has the label on the lowest part of the front
standard instead of the upper part. In this small size of camera,
there just isn't enough room to locate the label on the upper part,
which was clearly the preferred location, being used for the four other
sizes. References:
Upper photo: reversing board ready to be installed.
Front of shutter.
Construction: rear
focus via rack and pinion (one gear tracks on top of
middle base rail); single swing;
reversing by means of a reversing board (see above)
Materials: mahogany body; cherry base;
black fabric bellows; brass hardware
Sizes Offered: View 5x7,
5x8, (6½x8½ in 1889 only)
Notes:
Whereas wooden view camera
usually have assembly numbers, that is low integers used in an era where
parts of a camera are nearly buy not exactly interchangeable. A
few manufacturers placed true serial numbers, that is, a number unique
to one camera, on their products. The Interchangeable View Camera
produced by the Eastman Dry Plate & Film Co. or The Eastman Co. from
1884-c.1891. In addition, I have owned a lot of these cameras,
owing to their being manufactured to tolerances akin to those of a Swiss
watch. Therefore, if the serial numbers are assumed to represent a
timeline of camera production, we have a chance to plot the
characteristics of the models over time.
Serial No.
(Accession Number)
Location of Serial No.Variation
Size
Label Material
Manufacturer
Label
Location
304
(LP1253)
Bottom of Platform2 (Eureka
View)
4¼x5½
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Lower
Front Standard
523
(LP478)
Inside Ground Glass Frame2 (Eureka
View)
5x8
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Upper
Front Standard
700
(LP1275)
Bottom of Platform2 (Eureka
View)
6½x8½
celluloid
The
Eastman Co.
Upper
Front Standard
748
(LP1286)
Bottom of Platform2 (Eureka
View)
4¼x5½
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Lower
Front Standard
981
(LP763)
Bottom of Platform
1 (Original Interchangeable View
5x8
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Upper
Front Standard
1256
(LP152)
Bottom of Platform2 (Eureka
View)
5x7
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Upper
Front Standard
1608
(LP043)
Bottom of Platform2 (Eureka
View)
6½x8½
celluloid
The
Eastman Co.
Upper
Front Standard
1645
(LP172)
Bottom of Platform2 (Eureka
View)
8x10
celluloid
The
Eastman Co.
Upper
Front Standard
1664
(LP1285)
Bottom of Platform2 (Eureka
View)
5x8
brass
Eastman
Dry Plate & Film Co., Rochester, N.Y. & London
Upper
Front Standard
Photographic Materials Illustrated, John Wanamaker, Philadelphia,
PA, c.1890, p.7
Eastman Kodak typed production record, 1921 copy
Note: The Eastman Dry Plate and Film Co. catalog, Photographic
Materials and Apparatus, Jan., 1888, only contains the
Interchangeable View.